Poetry definition:
Poetry can seem simple in sound, ranging from a few words to a full-size book, requiring more understanding, creativity, and skill than prose. Formally, the end of the line that deviates from the conventional layout does not need to extend to the right edge. It is characterized by emotions, images and music. It can, but does not necessarily include, rhyme, metaphor, metaphor, repetition, rhythm, rhythm and rhythm. Most importantly, the form is the opposite of the content, distinguishing the type from the other types. Although poetry is read, adjusted, and interpreted by punctuation and sentence structure, poetry gains a lot of explanatory value through them.
"Poetry is not just what we read, it is what we see," John Strachan and Richard Terry in their book "Poetry: An Introduction" [New York University Press, 2000, No. 24] Written in the page]. We can see at a glance that a poem is written in the form of rules or irregularities. Whether it is a long or short story, this verse is continuous or festival... Many [poets] have some clarity A work designed to attract readers. #39; Pay attention to their vision. "
They continue to say that poetry is "a line of language settings that exhibits varying degrees of regularity of measurable sound patterns" [ibid., p.
Although poetry is not necessarily easy to define, several writers have already grasped its essence. "Poetry is the school I learned to write prose," Grace Paley wrote. William Stafford responded: "Everyone is a poet." "The real question is why most people will stop?" "This poem cannot be shown to us because he immediately proved that we never learned to touch. , smell, taste, hear and see," John Sildi pointed out. "This is the artist's career, making the ordinary wonderful," Leon Garfield philosophized. And "most importantly, we ask the poet to teach us a way of observing, so that people don't spend a lifetime on the planet, not paying attention to how the green glow of the setting sun shines, or the thin spread of the Milky Way on the planet." Summer night," Diane Ackerman wrote.
The need for any creation comes from the inner core of the writer, and requires different lengths of pregnancy before getting ready to take root on paper. Then he waters it with words to make it sprout and grow mature, then the reader prepares to pick its flowers and enjoy its fruit during the cross-pollination process.
"When I was young, I first thought of art, that is, the artist brought something into a world that didn't exist before, and he did it without destroying anything else," John Updike once said. "In my opinion, it is still its core magic, and its core is happiness."
When a writer becomes so immersed in emotions, the only way he can usually take himself out of the middle is to capture it on paper in the form of poetry so that he can transfer it to the reader in the process. Although like other art forms, its value can only be determined by its interpretation, its impression, reader, purpose, and ultimately, is the transfer from the soul of the creator or writer to the soul. , recipient or reader.
"In excellent poetry, we have a strong feeling for the poet's self, but it is not an ordinary or spontaneous one, but is usually a modified self, an impersonal [a]," David Kirby writes, "Writing poetry: the source of poetry and how to write" [Writer, Company, 1988, pp. 10-11.] Most of the great art is an improved version that already exists, starting with the writer's own personality. "
Compared with prose, poetry not only involves stories and sharing emotions, it also uses sounds and shapes, and can cover different forms between free poems and sonnets.
"Poetry is not what is said, but a statement," AE Housman once said.
"...Poetry is a language that is different from prose," Mary Elizabeth said in "painless poetry" [Balun Education Series, 2001, p. 3]. "[It] is able to capture and convey what does not exist in prose. Poetry works through emotions, not just through thought."
Poetry structure:
Although prose is composed of phrases, sentences, paragraphs, parts and pages, with appropriate grammar and punctuation, poetry can form several forms according to the author's intention, which can enhance the effect, purpose and sound of the work.
Its layout provides visual images and organization of character styles and sizes on a given page. Sometimes a pictogram is assumed, which looks like a different shape, such as an hourglass, diamond or tail.
Its lines are the basic building blocks.
"The lines can be long or short," says Elizabeth [ibid., p. 177]. "The choice of line length opens up some possibilities and limits other lines. Short lines are more useful for expressing concise observations and can be used for sentence segments and elliptical expressions.
"End stop line" means that the phrase or sentence ends when or before the right border is reached, while "enjoy" means that it wraps and continues on the next line.
Rows are grouped into sections, which provide additional, separable visualizations, separated by spaces or skipped lines themselves. They usually have the same line length, rhyming scheme and poetic rice.
Stanzaic form:
The length of Stanza varies depending on the number of rows. For example, a couplet is a pair of connecting lines, also called "and vice versa", usually ending with a rhyme. Similarly, a tercet can also be considered a "triple" consisting of three successful, rhythmic-based lines whose four lines are separated by quartiles. The five lines, six lines, seven lines and eight lines are called "quintrain", "sextet", "septet" and "octet".
In terms of ingredients:
Although poetry can incorporate some literary techniques that can be considered a prose tradition, it also offers many unique literary techniques.
First, the word order can be traditional. For example, certain lines can be carefully positioned at the beginning or end of the line to highlight them and promote metering and rhyming of work.
Just like a poetry puzzle, the word itself must fit into the small literary space, carry its maximum weight, and be assembled in a way that enhances meaning, sight, sound and feeling.
Rhyming, which contains almost two words that repeat the last vowel, and has the same final consonant, may be most relevant to the type of poetry, and of course speeds up the flow and rhythm, but it is by no means a mandatory component and does not necessarily need to share the same The spelling is done. For example, the words "bow" and "trough" differ in spelling, but they quickly rhyme. Excessive use of this technology can become forced, artificial and trampled.
Although prose uses the same vocabulary, phrase, sentence, idiom or even metaphor language, it avoids rhyming because it may distract attention and shift the reader's attention from meaning to sound. If you need to reach an unusual word order in poetry, it is also anti-creative.
However, on the positive side, it can create a sound mode that can almost reach the level of music reception, and can be very attractive to the ears. It also helps to understand children's poetry, just like "Jack and Jill go up the mountain."
Other benefits include the organizational principle of the section, as its configuration depends on its rhyme scheme. It provides the expectation or expectation of repeated sounds, and conveys the meaning through the poet's skill, maintains the pattern, and recognizes the words needed to keep the rhymes.
Rhyming can occur at the beginning of the sentence [initial rhyme], in the middle [inside rhyme] or at the end [end rhyme].
In the case of a four-line section, they can appear in "aabb" or "abab" mode - that is, the word mimics the sound in the previous or alternate line.
The regularity of sound effects, another major difference between poetry and prose, is called "rhythm." In addition to free poetry, most forms of poetry have a consistent pattern.
"... Meter, [another type-specific element], is a specific form of rhythm, preferably defined as a measurable sound that can be expressed in varying degrees in a series of poems. Mode," Strachan said. Terry [ibid., p. 75].
"According to your point of view, m, [the basic pattern of stress in a given line], is either a popular structural discipline or a bulky straight jacket," they continued [ibid., p. 111]. For the latter reason, free poetry has increased popularity.
Poetry does share several literary techniques with standard prose, the first of which is sensory imagery. If you start with the visual and sound of the work, then increase the emotional imprint by three other sensations, touch and smell, because the poet passes his experience to the reader.
"All experience comes to us through our senses," Strachan and Terry said [ibid., p. 138]. "We may use our thoughts and minds later, but it enters our consciousness through the senses. Attracting one or more [of which] details is called sensory details."
Another element of prose poetry sharing is symbolism. By making a character, image or concept represent another person, the poet can evoke many associations in the reader's mind. For example, color can represent several emotions, and a cross can symbolize religion.
Metaphor is another device that compares one project to another, but not literally, like "she wants to burn."
Ironically, the metaphor is similar except that it uses words such as "likes" and "likes" in comparisons. "For example, she ran out of the explosion like a banshee."
because......
Orignal From: Write effective poetry
No comments:
Post a Comment