Filmmaker and native Chicagoan J. Kenneth Ezra explained that Chicago still has a typical rogue type, you know like Johnny Garlic, Snake Man and Bobby the Hitmen. But the mobs in Chicago are different from other cities. First, Chicago thugs have characteristics like the city itself. They work hard. I mean, they got up early and left work very late. They rarely show off like their grandfather Al Capone. Those days are gone.
J. Kenneth Ezra is working on a set of 10 films. In re-taking the independent "right thing" [see the trailer at http://www.razorfilms.com], his collaboration with director and writer Vito Brancato gives us realism in the Chicago mob scene. Perspective. Tony Russo is a low-level street partner who has fallen into the power struggle between the Chicago police department and a powerful mob boss, and the police department is notorious for blocking the mob, if you don't understand Good words. d think is a retired electrician who lives in the suburbs of luxury Chicago.
We have many stars who are interested in the influence of Tony Russo, who plays a low-level mob and takes desperate measures in desperate circumstances. "In the 1970s and 1980s, Russo really symbolized the characteristics of the mob in Chicago," Ezra explained. "This guy is suffering from his performance in the smashing Chicago thug level. He acts like an old money company and is slow to try new things. The little guys are involved in bigger deals. Like any Chicago entity, The Chicago mob has a notorious lack of research and development funding.
They would rather rely on the power of old mature products and royalties. Successful companies maintain steady growth and market share. "In this truth life story you see that when things get out of control, Chicago mobs deal with situations like IBM, they eliminate the problem, come up with solutions and follow-up products and efficiency, finally they Get up early, work hard, endure the cold wind city and continue to collect.
"I try to cultivate people who are passionate and highly knowledgeable about their subject. It is a must to put it on the movie. Vito is like this. The original script I broadcast on PBS, Blackstone, left me. Impressed. Kennedy took a famous street rumor in Chicago. I liked Vito to accept this rumor and fill the gap. In particular, when he did a practical interview, people should "close to the story" hard work. I I think you didn't find the authenticity of today's filmmakers. I hope to cultivate and cultivate people with this talent, enthusiasm and knowledge in their way of shooting. The rest will be translated on the big screen, the reaction of funds and audience will come behind.
A well-known Hollywood agent reported that "it is very happy to see someone sticking to it and rising in the past seven years." Ken is so committed to making a live-action movie, he volunteered to make a craft service table after the freedom, directed by Vahe Babian. A movie about Armenians adapting to life in Los Angeles. "If it's real, real and real. I want part of it. Even though I have to really serve everyone in the collection. The right thing is real.
Orignal From: Thug: Filmmaking Chicago Style
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