Almost all aspiring authors expect final publication. But to publish these days, a short story writer needs to skip a series of obstacles that are almost impossible to overcome - from the letter-to-submission stage to the submission stage, from the literary agent to the publisher, to the general reading public, all of which are hopeful You can sell your short story one day and learn a sum that is enough to pay back the mortgage.
Here are some handy tips to keep in mind when short story writers seek to make money by selling short stories:
Each story has a beginning, a middle, and an end
This seems to be a basic observation, but many novice short story writers have failed to plan their stories with a basic three-part structure. Where to start your story begins with the middle and end of the story. The key here is that you have to integrate all three parts of your story so that each part fits snugly like the rest. Knowing where to start depends on where your story goes, and knowing when to end it accurately depends on what happened before. Too many beginners get up too early in their story, or it's too late. As long as you don't sacrifice the reader's direction, the best strategy is to start as late as possible in your story and enter its "meat" in front of your readers; attention is lagging behind. Once your basic characters, plots and theme elements really come out, just end it. Be late, leave early, engage, don't confuse. Serve these four goals while planning your three-part structure, and you are on a stable basis.
Unite all your story elements
Most basic short stories contain plots, characters, themes, and setting elements. Novice short story writers are accustomed to arbitrarily dreaming each element individually and then wrapping them all together to form a forced marriage. The best strategy for short stories is to first determine which elements are the main drivers of short stories. If it's a plot, make sure the characters, themes, and settings work together to serve the story in the most engaging and sensible way. If it's character-driven, you'll have to choose plots, settings, and themes to highlight the various character interactions you want to reveal. Themes and settings, and more. Ok, grab the last element - you should avoid writing a set-driven short story at all costs, unless your goal is to write a fascinating travelogue.
Show, don't tell
When a greater emotional impact requires a role reaction or event to be dramatized, too many amateur writers make mistakes to summarize a key role reaction or series of events. In other words, play them as a full scene for even greater results. But, of course, the key is to adopt this strategy just to reveal key person reactions or events that play an important role in the development of your [unified] story elements. All of this brings us...
cut! cut! cut! [there are more......]
If any words, sentences, paragraphs, dialogs or settings and action descriptions do not enhance the story elements of your main choice, then cut, cut, and cut them! Do we really need to read an extended description of the leaf texture, the shoe brand, and the way the sun projects light onto the coffee table in a scene. In this scenario, are you promoting the plot or establishing a key role interaction?
An unrelated random description will make you a newcomer to the card, and the short story submission will go directly to the idiot's fool. Don't be fooled by all the classic short stories that are full of wonderful descriptions of leaf textures and sun projections. Most likely, you are not Charles Dickens, Steinbeck or Chekhov. You are writing in an era of inattention, and you are not paying according to the length of the text. If you can delete any and all parts of your short story, these parts will not advance all or most of your story elements [and remember that the setting should always be the servant of the other three story elements], then cut, cut Cut, cut them off!
Start strong
The sad truth is that the vast majority of readers will make decisions about the quality of short stories in one paragraph [two, top]. So, concentrate all the blood, sweat and tears and make the first two paragraphs that you can continue reading. In an era when money is a time, don't think that there are a large number of readers, literary agents and publishers willing to stick with you for ten to fifteen pages, because you slowly build your own short stories to make its big case. When your short story is striding forward after the ordinary start, your only audience is probably a group of embarrassing embarrassments.
Don't die because of TYPO
Even in this so-called "self-publishing" era, publishers still have business reasons. In fact, readers rely on professionals to ensure that carefully edited novels and short stories can enter the bookstore shelves. This is where literary agents, editors and publishers come into play. However, novice writers often make fatal mistakes, arguing that literary brokers and publishers will ignore typos and submit typos, grammatical errors and misspellings - as long as the writer's great storytelling abilities [embodied in the story elements mentioned above] make it look The doorman was blown away. But in the same era, when the time is money, the janitor adopts the rule of thumb, and the typo is a sign of a sloppy craftsman. No matter how great your short story really is, if you try to sell your short story with a bad editor, you will be sentenced to death by spelling mistakes.
Choose an interesting theme
If you are reading this article, you are likely looking for useful tips to write a short story for sale. Writing short stories for self-expression is a good treatment. As long as you understand enough, only a very limited audience may be interested in reading a short story about the fun of flying fishing in the elderly villages of Latvia. On the other hand, with regard to pistol packaging, the writing of a death trading mother does not ensure interest in the reader. The key is to be both interesting and different at the same time. It's not so interesting or different to let your character take out the gun and blow someone away. You don't have to always shrink back Corpse strategy to attract readers' interest .
The key to choosing an interesting topic is to find a unity of organic satisfaction and participation. all Your story elements - a combination of plots, characters, themes and scenes, are both fresh and exciting. Interest will come from the way you weave these story elements together.
Going back to the fishing fun of older villagers in Latvia, if this is the return of an unexpectedly changing plot, you are likely to pull it all down - a revelation of fresh character interaction while highlighting a theme, for example, providing us with a New thematic perspectives, such as our common mortality fears. But I am not sure how the Latvian part will adapt. But sometimes, this is another lesson.
Orignal From: How to write a short story to sell
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